Osman Khan and Omar Khan

Project Assistants: Cesar Cedano, Alice Ko, Drura Parish, Matt Zinski

 SEEN-Fruits of our Labor deals with projected hopes, the American Dream, (in)visibility and the global marketplace. It addresses the current US debate on immigration which, in our view, is blind to people's actual needs, shortsighted in its solutions and myopic in its framing of what it means to be an American. SEEN expands this debate and reflects on the real impacts of globalization on people's sense of self worth. Our project asks members of three communities that make up San Jose's Labor needs -- Silicon Valley's tech workers, undocumented service workers and outsourced call center workers -- one question: What is the fruit of your labor? Their responses are displayed back to the general public on a 4'x8' infrared LED screen whose content is visible only through digital capture devices (cell phone cameras, digital cameras and DVcams etc.) used by the audience.

The relationship that binds these disparate communities is that they labor in San Jose. Their reliance on the city's economy is clear but their understanding of this mutual engagement is less obvious. To address this SEEN- Fruits of our Labor asks people what they see as the purpose of their labor? Is it the acquisition of wealth? Luxury? Class? Self-improvement? Subsistence? Is it a means or an end?

The commodification of labor through globalization has allowed an unprecedented population to engage in the global market place. The results are both exploitative and liberating. Not judging the nature of the work that people do the project will survey the different communities of San Jose to get a response to the rhetorical question: what is the fruit of your labor? Are there differences to be found between the communities, income levels, occupations or do we all strive for similarly idealistic goal? These responses will be put into a database and projected onto a specially designed screen.

SEEN was placed in front of the San Jose Museum of Art facing Cesar Chavez Park (Aug7-14 2006). Standing at 8' tall and 4' wide the black acrylic screen's projection is invisible to the naked eye. However electronic CCD apparatus are able to capture this spectrum, thereby allowing the projection to be seen and captured by digital cameras, video cameras, phone cams, and the like. It is only through the digital apparatus that the projection can be perceived. The audience is
encouraged to photograph and share these messages: the fruits of other's labors. What was previously hidden from your view is revealed through the technical device. You become complicit in the most personal way to this exchange.