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The latest developments for ZeroOne San Jose and ISEA2006
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Smart Design Creates South Hall Exhibit Space for ZeroOne San Jose: A Global Festival of Art on the Edge & the Thirteenth International Symposium of Electronic Art (ISEA 2006) Working with a minimal budget and maximum innovation, Smart Design's team lead by Margeigh Novotny, Director of Interaction Design, created a space with high visual impact but low environmental impact. The exhibit was constructed of ready-made systems that would be remodeled and repurposed after the event. Steve Dietz, curator of ZeroOne, commented, "Smart Design took a vast and 'placeless' space in the South Hall and created a dynamic and human experience for our attendees. It was a remarkable transformation." http://www.marketwire.com/mw/release_html_b1?release_id=154015 |
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- a+e, ZeroOne 2006
here - Steve Cisler, digitalcommons
here. - Sarah Cook, From Crisis to Bliss
here - dailywireless.org
here - Ken Gregory, Cheap Meat Dreams and Acorns
here - Molly Hankwitz, Newmedia FIX
here - Patrick Lichty, Agency - New Media & Technoarts
here - media arts network
here - Katharine Moriwaki, personaldebris
here - theObservatory
here - popgadget,
- radioactivesd, Tonight! Global Share Broadcast for ISEA 2006
here - Regine, we make money not art
here. - Brandon Rickman, Polymath
here - sfist, We're All Headed South
here - Eddie Shanken, ISEA2006 Rapporteur
here |
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All San Jose Mercury News slide shows and podcasts of ZeroOne San Jose here.  ZeroOne: The Final Days |
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The ISEA2006 Symposium is being streamed live. Here is the link: rtsp://130.65.200.17/zero1-hq.sdp Higher bandwidth In general, hours are 10:00 am - 5:00 pm PST with a break at noon, Friday, August 11, and Saturday, August 12. |
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by Emily Gertz http://plentymag.com/features/2006/07/pigeons_write_a_smog_blog_you.php When Beatriz da Costa releases 20 pigeons into the smoggy skies of San Jose, California in August, the flock will be writing what might be the world’s first avian blog—one offering a bird’s-eye perspective on air pollution. Each pigeon will be equipped with a tiny backpack loaded with devices that will measure pollution data and transmit the information to the web, creating a real-time air pollution index. Da Costa, an assistant professor in the graduate arts, computation and engineering program at University of California-Irvine (UCI), plans to release the pigeons twice a day during the 9-day conference of the Inter-Society for the Electronic Arts, which begins August 5th. But the “Pigeonblog” is more than a cutting-edge art project—it also points to a more egalitarian future for environmental monitoring, when the ubiquity of communications networks and increasingly small and powerful personal electronic gear will let anyone assess the quality of the air they breathe. |
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SAN JOSE, Calif. http://www.nytimes.com/2006/08/06/arts/design/06fink.html?_r=1&pagewanted=all ON Tuesday a small fleet of homing pigeons will be released from a plaza near the San Jose Museum of Art to fly back to their trainer about 10 miles away. But these are not your average birds. Each will be carrying, in a tiny nylon backpack, some very small equipment that gives their journey a larger purpose: a global positioning system unit for tracking their latitude, longitude and altitude; a pollution monitor for gauging carbon monoxide and nitrogen oxides; and the fundamentals of a cellphone for sending this data to a Web site. The artist-activist Beatriz da Costa calls the resulting Web site a “pigeon blog,” as though the birds themselves were keeping a travel diary obsessed with air quality issues. “A lot of countries have used pigeons for surveillance during war,” said Ms. da Costa, who teaches art and engineering at the University of California, Irvine. “We’re doing a form of surveillance too, only not for military purposes. Our goal is to track levels of pollution in the environment.” |
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8/1/2006 12:07:29 PM http://webwire.com/ViewPressRel.asp?SESSIONID=&aId=17730 Fine Art Registry™, the developer of a high tech solution that enables artists and collectors to permanently register and protect their art and other collectables, has just announced that they will be working with the ”Hitchhikers in the Valley of Heart’s Delight Art Project.” Fine Art Registry (www.fineartregistry.com) has tagged and registered each of the five life-size sculptures that were created in the likeness of key Silicon Valley pioneers, each looking like they are hitchhiking rides. The goal of the project is to see if good Samaritans will pick up the sculptures and help them reach their final destination, the Inter-Society for the Electronics Arts (ISEA) ZeroOne Festival of Art on the Edge, a collaborative science, technology and art festival, that will take place from August 7 through 13 in San Jose, California. The progress of the hitchhikers can be followed on line at: http://www.ylem.org/Hitchhikers/. |
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http://news.rpi.edu/campusnews/update.do?artcenterkey=1656 Using surveillance cameras and the popular video game The Sims 2™, Katherine Isbister, associate professor of language, literature, and communication at Rensselaer, will create a public art installation called SimVeillance: San Jose as part of The ZeroOne San Jose Festival, taking place Aug. 7-13. Surveillance cameras focused on the Fairmont Plaza in downtown San Jose will capture images of passersby. Isbister will then use The Sims 2 — a game that allows users to create simulated worlds and fill them with cyber-citizens — to create a virtual version of the plaza, and fill it with avatars (human representations in a shared virtual world) of the people passing through the plaza who’ve been caught on camera. The virtual population will grow throughout the duration of the exhibition. |
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Arts Hub Australia Monday, July 31, 2006 Jenny Fraser's screen-based project other[wize] has been selected for exhibition at the 13th International Symposium for Electronic Arts (ISEA2006), to be held in San Jose, California August 7-13th, 2006 in conjunction with the first ever ZeroOne San Jose: A Global Festival of Art on the Edge. The biennial festival will showcase over 150 of the world's most innovative contemporary artists through exhibits, live cinema, performances, workshops, and youth activities http://www.artshub.com.au/ahau1/news/news.asp?Id=98672&ref |
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SAN JOSE, CA.- Marking a significant step forward in its 26-year history, the San Jose Institute of Contemporary Art (ICA) will move to its new permanent home at 560 South First Street in August 2006. Setting the pace for a fast-track renovation and innovative expansion of programming, the ICA will open its first exhibition in the new location on August 8. On view through September 16 in the first of three renovated gallery spaces planned for the ICA’s new location, NextNew2006: Art and Technology focuses on the work of 10 artists working in electronic media. The exhibition is being presented in conjunction with the international symposium of the Inter-Society for Electronic Art (ISEA) and the ZeroOne San Jose Global Festival of Art on the Edge. http://www.artdaily.com/section/news/index.asp?int_sec=2&int_new=16768 |
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Adobe's Design Achievement Awards have been announced, honouring students from around the world. Finalists included two students from London's Royal College of Art - Adam Simpson was included in the Digital Illustration category, and Michael Murdoch featured in the Live Action category. Finalists received a trip to Toronto to participate in the event and to attend a series of studio tours, while category winners bagged $5,000 and a stash of Adobe products. Students are also offered internships and opportunities to showcase their work at events such as Sundance and the ZeroOne Festival. http://www.digitmag.co.uk/news/index.cfm?NewsID=5947 |
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http://www.metroactive.com/metro/07.26.06/museum-of-quilts-and-textiles-0630.html San Jose Museum of Quilts and Textiles warms up for ZeroOne with two intriguing exhibits about paranoia and process By Michael S. Gant BY NOW, the ritual of security clearance at the airport has become second nature. The traveler passes through an electronic portal to the limbo of the departure lounge. In an edgy installation called Insecurity at the San Jose Museum of Quilts and Textiles, Julie John Upshaw ups the anxiety level of that common experience. Visitors enter the museum's central gallery through one of those ubiquitous metal-detectors, setting off overhead lights. But it is quickly apparent that no one is minding the machine. Metal conduit extends in long tracery patterns from a power outlet on the gate. The pipes snake across the floor and up the walls like jungle vines seeking sunlight. But ultimately, they trail off into nothingness; they don't lead to any central databanks where every visitor is profiled... http://www.metroactive.com/metro/07.26.06/museum-of-quilts-and-textiles-0630.html |
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http://rhizome.org/ July 28, 2006 Light From Tomorrow, a new work by British artists Thomson & Craighead that will be presented at ISEA 2006, comes to viewers courtesy of the future. A light sensor cradled in a waterproof container near the Tongan capital of Nuku'alofa sends data across the dateline. This information represents the light levels in Tonga, which are then interpreted by a specially-constructed light box in a gallery in San Jose. The data is sent in nearly real-time, and the luminosity of the light box reflects changes in light levels. The telematic reach of the internet permits gallery visitors in California to experience the intensity of light that is to exist tomorrow. This glowing rectangle of light, affixed to a gallery wall, offers an elegant representation of information, made poetic by the reversal of time. Better than any meteorologist, superior to a crystal ball, the Light From Tomorrow project permits viewers the magical experience of feeling that they are able to leap through ti! me, thanks to a digital intervention by two intrepid artists. Follow the daily progress of the project by reading the Thomson & Craighead's expedition diary online. Michelle Kasprzak Light From Tomorrow http://www.lightfromtomorrow.com/ |
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All members of the Electronic Arts Community are invited to an ISEA gathering at SIGGRAPH http://www.siggraph.org/s2006 Our meeting will be at the Boston Convention Center. Looking forward to see you there! Bring your own lunch or snack. The meeting will be informal. Inter-Society for the Electronic Arts (ISEA) Open Forum Monday, 31 July 11:30 am - 1 pm International Center ISEA is an international non-profit organisation fostering interdisciplinary academic discourse and exchange among culturally diverse organisations and individuals working with art, science, and emerging technologies. This discussion includes information about the organization and the upcoming ISEA Symposium to be held in San Jose, California, 5-13 August 2006 and plans for the future of ISEA. All interested members of the electronic arts community are welcome to attend, to learn about future symposia and share ideas for potential organizational collaborations. |
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By Janos Gereben "Just like that, San Jose is surging into the vanguard of cutting-edge contemporary music, with the conjuction of three major events this summer. The news is significant enough that San Jose Mayor Ron Gonzales is holding a press conference Wednesday, with the participation of a dozen artists and festival organizers. Meanwhile, in advance of official declarations, here are some basic facts:" http://www.sfcv.org/arts_revs/music_news_6_13_06.php. |
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We set off on Tuesday 18th July to the Kingdom of Tonga to set up for our new work, Light from Tomorrow. Trace our progress at; http://www.lightfromtomorrow.com or visit the exhibition Edge Conditions at San Jose Museum of Art from 29th July... Light from Tomorrow is part of Pacific Rim artworks at ISEA 2006, California. Find out more about Edge Conditions and ISEA 2006 at; http://www.sjmusart.org http://www.01sj.org We will also being showing our installation Unprepared Piano at ISEA 2006; http://www.thomson-craighead.net/docs/pianof.html Maybe see you there! |
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"Matt Gorbet really knows how to light up a room. And at the ZeroOne Festival, his company Gorbet Design, Inc. (made up of himself, his wife and his brother) will be lighting up a whole street corner. Using 125 switches that control 125 incandescent light bulbs, passersby will be able to declare their sentiments in lights!" |
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"What's JD Beltran smiling about? It's a secret--she has lots of those. But they'll all be on display at the ZeroOne Festival August 9th... anonomously, of course." |
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Indie and Electronica Music Artists Converge for Bleeding Edge Festival, August 13 SARATOGA, Calif. – Artistic expression goes beyond the cutting edge with the Bleeding Edge Festival at Montalvo Arts Center on Sunday, August 13 from noon to 10 PM. The festival represents a major music and sound component of the ZeroOne San Jose: A Global Festival of Art on the Edge, a new, international caliber contemporary art festival featuring creativity at the intersection of art and technology, taking place in Downtown San Jose. The Bleeding Edge Festival features 20 bands performing on four stages throughout the Montalvo grounds. A free shuttle service will run on the hour from San Jose’s McEnery Convention Center starting at 11 a.m. |
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Invisible Dynamics Common Systems of the Bay Area/Pacific Rim From the Exploratorium Invisible Dynamics, a new Exploratorium project, examines the contemporary world as a series of expanding information systems, engaging artists and scientists to explore the world at a detail and at scales never accomplished before. The focus is far beyond the walls of the Exploratorium museum in San Francisco, harnessing the web and cutting edge tracking and imaging technology, to uncover, map, research and investigate the urban and natural systems and behaviors that give the San Francisco Bay Area its special character. The purpose of the work of each artist/scientist team is to reveal and layer systems – the constant and ephemeral, the unseen and idiosyncratic multi-phenomena – which are often hidden, but otherwise interlaced in our experience of the places where we live and work. Invisible Dynamics is also building a global view by comparing the ways in which the SF Bay region is a microcosm of the Pacific Rim. |
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Mercury News Editorial http://www.mercurynews.com/mld/mercurynews/news/opinion/15004536.htm The San Jose Grand Prix has been getting most of the publicity, including some it didn't want, as the blockbuster downtown event of the summer. But there'll be a new kid on city blocks next month that could make just as much noise, figuratively speaking, on behalf of the city's cultural profile. ZeroOne San Jose: A Global Festival of Art on the Edge has the potential to brilliantly capture the emerging use of technology in art and make it a Silicon Valley trademark. It will involve digital art, GPS capability, floating wireless cameras, shipping container culture (aren't you anxious to find out what that is?) and lots of interactive displays. |
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by Matteo Bittanti http://www.videoludica.com/news.php?news=284 Zero One festival "The ZeroOne San Jose Festival will transform San Jose into the North American epicenter for the intersection of art and digital culture by showcasing the world's most innovative contemporary artists. ZeroOne San Jose is artists making art and using technology as a tool to do so. It is not technology for technology's sake. ZeroOne San Jose is a multi-dimensional, startling and brilliant audience event - with exhibits, live cinema, performances, workshops, and youth activities. All are one-of-a-kind, many never-before, only-here experiences. Here are some details about what you will find at ZeroOne San Jose: A Global Festival of Art on the Edge." More at http://www.videoludica.com/news.php?news=284 |
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Listening Post by Ben Rubin and Mark Hansen will be featured on KQED's Spark arts program on July 5 at 7:30 PM PST. http://www.kqed.org/arts/spark/episode.jsp?eid=143712 Listening Post is part of the exhibition, Edge Conditions at the San Jose Museum of Art. |
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The Container Culture exhibition container from Vancouver, In[]ex will be on exhibit at Earth: The World Urban Festival in Vancouver, June 21-25. The city’s magnetic rhythm By robin laurence Publish Date: 15-Jun-2006 http://www.straight.com/content.cfm?id=18387 |
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The ZeroOne San Jose / ISEA2006 Symposium banners started going up around downtown yesterday 
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An Interview with Cobi van Tonder by Sylvie Parent Sylvie interviewed Cobi van Tonder about her IDEO-sponsored residency project, Skatesonic, via email in March 2006.--ed Sylvie Parent: You were selected for the IDEO- ZeroOne San Jose Residency Commission and will create a new project for ISEA2006. Can you tell us a few words about this project? Cobi van Tonder: First of all I would like to thank ZeroOne, IDEO and the Lucas Arts Program. It has been an absolute pleasure working with IDEO. They have a unique outlook and approach to design and people. Spending much time at the Palo Alto IDEO offices was hugely stimulating and interesting. Skatesonic taps into skateboard culture, using the motions and sounds of skateboards to create music. In a way, each move translates to musical parameters and the rider ends up skating through a landscape of music (which s/he influences over time). |
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Mon, May 15, 2006 The California Report 2006-05-15 Amy Franceschini is a multimedia artist whose work taps into the creative potential of computers. But her recent works also offer a critique of high technology and its effects on society. One project, called "Gardening the Superfund Sites," examines the tensions between the computer industry and the natural environment. http://www.californiareport.org/domains/californiareport/archive/R605150850/b This program originally aired on KQED Public Radio on Monday, May 15, 2006. KQED offers complete, free archives for most of the programs we air. To look for other programs you've heard -- or ones you missed -- visit the KQED Audio Archives at http://www.kqed.org/radio/archives.jsp. |
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"Simultaneita new media arts magazine" is a Rome-based journal with dedicated staff and international contributors: it's a publication with an explicit futurist attitude, largely aimed at today cultural topics and special reference to art-technology relationship; it features in-depth essays, unpublished materials, reviews, notes and articles on new media arts, digital culture, architecture, cinema." Look for forthcoming interviews with ISEA2006 / ZeroOne San Jose artists and performers. |
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Postings From Promotions: Azania Baker Out And About For ZeroOne San Jose/ISEA 2006 My job rocks. I work for the coolest, most contemporary and edgy festival ever housed in San Jose. I get to talk to brilliant artists and check out amazing festivals for free. Case in point, on April 22nd and 23rd I went to the Maker Faire in San Mateo. It was great. Never before have I been to a festival rampant with so many Do It Yourself creations. The brain activity was almost palpable! People from San Francisco to San Jose came to share ideas and inventions. Think chaotic creativity. College professors, high-tech engineers, tech-savvy adolescents…all in one place. I am seeing a completely different side of life right now. I’ve always been into art (a word that can mean so many things), but now I finally get a chance to immerse myself in the creative scene. Unlike events where you shuffle from one booth to the next like human cattle grazing on gaudy jewelry and expensive junk food, the Maker Faire was crammed full of workshops, interactive booths, and DIY projects. It was overwhelming at first—it took me an hour to explore all the projects and exhibits on the grounds. But it was easier to handle once I realized it was just like a giant science fair for adults. People walked around with shirts that read “no I will not fix your Mac,” and “I’m blogging this.” |
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The Computer History Museum Speaker Series Sponsored by Sun Labs presents The History of the Future of the City Joel Birnbaum and Steve Dietz with Ben Hooker CO-HOSTED BY ZeroOne As head of research at IBM in the 70s and at Hewlett Packard in the 80s, Joel Birnbaum played a seminal role in helping to conceive and lay the technical groundwork for pervasive computing; computing seamlessly incorporated into everyday life. One of the prime sites for pervasive computing is the city: its buildings, its transportation systems, its services, and, of course, its residents. Birnbaum will screen excerpts from some scarcely seen scenario videos about what might be termed the interactive city, based on pervasive computing, and discuss the four stages technology must pass through before it can be considered pervasive. Steve Dietz is Director of the inaugural, biennial ZeroOne San Jose: A Global Festival of Art on the Edge, which will take place in San Jose August 7-13. One of the themes of the Festival is the “interactive city,” inspired to a great extent by Birnbaum©ˆs work. Dietz will discuss some of the 36 projects that will be presented on the streets of San Jose during the Festival. Ben Hooker, a participating artist from London, will also present his project, DataNature, which was jointly commissioned by ZeroOne San Jose and the City of San Jose©ˆs Public Art program. |
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Zhang Ga, curator of the Beijing Container Culture project is also the artistic director of Code : Blue – Confluence of Currents The MILLENNIUM DIALOGUE 20063rd Beijing International New Media Arts Exhibition and Symposium |
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The Early Bird Gets the Discount! Coming to San Jose, California, August 7-13 Seven Days of Art and Interconnectivity ISEA2006 Symposium Registration Launches 33% discount for Early Bird Registration through June 15th
Early Bird registrants also receive 20% discount on ticketed events including blockbusters like Peter Greenaway, Tulse Luper Live VJ version, Survival Research Laboratories, Builders Association/dbox, Super Vision, and Ryoji Ikeda's North American premiere of datamatic.
The most progressive artists, cultural producers, media theorists and curators from around the world will be gathering in the birthplace of computing innovation - Silicon Valley - to share and discuss the latest ideas and practices about art and digital culture.
The ISEA2006 Symposium taking place in conjunction with the inaugural ZeroOne San Jose: Global Festival of Art on the Edge and offers attendees an immersive, interactive, exposure to the art, ideas, theories, and new developments in the field of interactive media and digital art as it relates to the symposium themes of Community Domain, Interactive City, Transvergence, and the Pacific Rim.
Online pre-symposium paper abstracts and a pre-publishing model for Symposium presentations and participation, allows the public to join the discussions online both before and during the Symposium. This innovative structure is designed to enable lively, free conversations across disciplines, ideologies, and philosophical frame-works.
For One Week Only ISEA Registrants will have the first opportunity to purchase event tickets - tickets that are sure to sell out - in advance of General Public ticket launch. May 12 - May 19th, ISEA2006 Registration Click Here to Sign Up
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"Mark Shepard, assistant professor of architecture and media study, came to UB for the unique opportunity to help get a dual-degree program off the ground, and explore and combine his interests in two very different, yet very complementary fields of study. . . . "In terms of his own projects, Shepard plans to exhibit his Tactical Sound Garden Toolkit, an open-source software platform for cultivating virtual community sound gardens in public spaces, this summer at the Inter-Society for Electronic Arts (ISEA)/ZeroOne San Jose Global Festival of Art on the Edge Symposium and Festival." Jessica Keltz, "Shepard straddles two fields: New faculty member helped to develop dual-degree program," University at Buffalo Reporter |
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ISEA2006 SYMPOSIUM PAPERS ONLINE FORUM April 24th - May 29th http://01sj.org/component/option,com_simpleboard/Itemid,149/ ISEA2006 is taking place in San Jose, California, August 7-13. See http://01sj.org for more information about the Symposium and related ZeroOne San Jose Festival. Beginning Monday, April 24th, ISEA2006 will host a month long series of discussions on the accepted paper abstracts for each of the Symposium themes: Interactive City, Community Domain, Pacific Rim and Transvergence. See http://01sj.org/component/option,com_simpleboard/Itemid,149/ An important objective to ISEA2006 is enabling conversation and discourse between audience(s) and presenters. Toward that objective this years ISEA incorporates a single main track of presentations + artists presentations combined with a pre-publishing model. The reading of papers is not permitted. Instead authors will present their abstracts in the on-line Forum and then pre-publish full manuscripts weeks prior to the Symposium. The goal is to inform and influence both authors and audiences as well as create conversational relationships and provide for advanced consideration of topics to be presented at the Symposium. At ISEA2006 each theme will have two extended 'conversational' sessions in which several authors present summaries of their papers followed by a moderated conversation and audience interaction. |
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Through a grant from the Asian Cultural Council, ZeroOne San Jose and ISEA2006 Chair, Joel Slayton, was able to research the Pacific Rim theme and visit with artists and colleagues in Tokyo, Singapore, Beijing, and Hong Kong. Here is the text of his talk at the Research Institute for Digital Media and Content, Keio University. |
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ZeroOne San Jose: A Festival of Art on the Edge wants you to come and experience the amazing, awe-inspiring, sometimes irreverent, totally incredible vista of the most innovative contemporary artists in the world. Read through this festival sampler, and click on any of the artists mentioned to learn more. The familiar city-scape will become a new terrain where you can glimpse recorded images and secrets (Secrets, JD Beltran), carry a balloon with a surveillance camera and become a new map-maker in visual terms (Flying Tails, Jenny Marketou and Katie Salen), explore the afterlife, the most virtual of all worlds - a space beyond the compass of the human mind (MISSION ETERNITY, etoy.CORPORATION), watch nocturnal animals captured by video "traps" and see what happens on urban streets after dark (Nocturne, Colin Ives). At the ZeroOne San Jose Global Festival of Art on the Edge anything seems possible - an artist generates images using cosmic sounds to drive shifting shapes and colors (D-K San Jose, Akira Hasegawa); a blimp flies overhead - a rolling party with skateboarders glides past offering you the chance to put on headsets to listen in and join (Fete Mobile, Marc Tuters), and paper cups on a string can still be telephones (Paper Cup Telephone Network, Matthew Biederman, Adam Hyde, and Lotte Meijer). |
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Adriene Jenik was in San Jose last week working on SPECFLIC v2, which will be projected on and from the Dr. Martin Luther King Jr. Library on Wednesday evening, August 9, of the ZeroOne San Jose Festival. This is not the final version, but we are getting closer. Although Adriene is getting farther away, for awhile. She leaves for Africa for a couple months in the morning. See www.adrieneafrica.blogspot.com |
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ZeroOne San Jose and ISEA2006 Symposium Interactive City participant Glowlab (see Drift Relay) announces their latest project, DAMAGE. From the press release: Christina Ray invites you to damage DCKT Contemporary by proxy through her enactment of collected requests. Prior to the opening of the show, the DAMAGE interactive website (http://damageproject.christinaray.com) will allow visitors to mark a spot to be damaged on a virtual map of the gallery and to submit a message, poem, story or other text relating to the concept of damage. Based on the submissions, RAY will inflict physical damage points on the actual wall space which will generate the pattern for a large-scale wall drawing. The first few hundred contributions will become part of the gallery installation. |
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by Sylvie Parent Sylvie interviewed the artists Nancy Nowacek, Katie Salen, and Marina Zurkow about their residency project, Karaoke Ice, in August 2005.--ed Sylvie Parent: Your team was selected to create an intervention, , for the Cesar Chavez Plaza in San José during the ISEA2006 Symposium and ZeroOne San Jose Festival. Is this the first time the 3 of you have worked together? Katie Salen: Yes, although we have been friends for a long time and have done projects informally with each other. Marina and Nancy have worked together under the name The Starlings for about a year doing small-scale public art projects. |
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Public Production of etoy - Visit the MISSION ETERNITY PRODUCTION PLANT at Kaserne/Kunstraum Walcheturm in Zurich. |
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