Zhang Ga, curator of the Beijing Container Culture project is also the artistic director of Code : Blue – Confluence of Currents The MILLENNIUM DIALOGUE 20063rd Beijing International New Media Arts Exhibition and Symposium
June 30 – July 10 2006 New Media Art Center, China Millennium Art Museum Beijing Cubic Art Center, Dashanzi Art District (Factory 798) Beijing, CHINA http://newmediabeijing.org Presented by: Tsinghua University China Millennium Art Museum In Collaboration with: V2_Institute for the Unstable Media ZKM | Center for Art and Media Ars Electronica Center Transmediale Art Center Nabi Groupe Molior Introduction The new millennium has witnessed the growing vitality throughout the world of new media art, an art mediated via digital means, often with the internet as its platform. This emerging art, originating from an increasingly technologically dependent society, not only challenges traditional creative media, and ways of thinking, but also posits to artists and cultural workers new questions concerning all realms of contemporary life. Under the auspices of Millennium Dialogue, the First and Second Beijing International New Media Arts Exhibition and Symposium successfully mounted two ground-breaking exhibitions and symposia in 2004 and 2005 respectively at the China Millennium Museum in Beijing. Enlisting a number of key players in the realm of media art throughout the world as partners, "Millennium Dialogue" aims at establishing a global, constructive platform for dialogue and exchange with the most current discourse in new media arts production and theorization to advance and promote digital arts and education in China. At the helm of the project are three prominent institutions, with Tsinghua University as host, one of the most acclaimed research and educational institutions of China, joined by ZKM | Center for Art and Media of Karlsruhe, Germany, the World’s largest media arts center, and V2_Institute for the Unstable Media of Rotterdam, the Dutch Electronic Arts Festival maker. With the repercussion of Millennium Dialogue 2004 and 2005 still undulating, 2006 sees another stellar gathering of the international new media art community in Beijing. The Third Beijing International New Media Arts Exhibition and Symposium, marking the inauguration of the newly established, spectacular Beijing Creative Industries Zone, takes to the Chinese capital another highly charged, thought provoking new media art exhibition revolving on the central theme – Code:Blue, and a symposium which furthers the discourse of new media art practice and education with global perspective. Theme exhibition and symposium Code:Blue - Confluence of Currents In the early 1400s, 80 years before Columbus set foot on the Americas, Chinese fleets led by Zheng He, an eunuch admiral, traversed the Indian Ocean reaching the Cape of Good Hope numerous times, establishing peaceful relationships with principalities and kingdoms along their voyage routes, propelling cultural understandings, and precipitating trading activities among many nations. The rise of China in the 21st century as a major economic player in the Pacific region and beyond revives the lost legacy of China as an oceangoing nation, and unveils her creative merchandising spirit. China’s seclusion from the outside world that resulted in an isolated “earth” civilization was but a temporary historical interruption, contrary to the perception that it is the intrinsic nature of Chinese culture. “Code:Blue” attempts to symbolically establish a relationship between China’s once ocean-minded past and her active engagement and rigorous interaction with current global influences both economically and culturally in an increasingly reciprocal construct, visible in areas such as trade / commerce, migration / mobility, identity / nationality, East / West, South / North and their dichotomies either as liberating high tides or as potentially perilous waters. The exhibition and symposium also metaphorically seek the confluence of these multiple cultural and economic currents, and propose Blue as transparency and deepness, flow and volatility, expanse and transcendence. The symposium will examine the increasingly interconnected global flux of information manifested through social and technological networks, reflect on the remapping and reconfiguration of cultural landscapes under the new geopolitical and geo-economic constellation in the 21st century, explore novel ways of artistic intervention in the post-bubble era of the Web2 hype in which a world market consolidates the once discursive, de-centralized net space, and an attention economy replaces the production based economic model, creating new social classes and cultural strata. By re-contextualizing utopian visions and avant-garde propositions that have been the driving force of electronic art and discourse, the symposium proposes the potentials of media art as interventionist, constructing reflexive relationships with technological vehicles at the threshold of new paradigm shift, seeking alternatives at the crossroad of planetary civilization in which global economic redistribution and transcultural production both converge and collide. “Code: Blue” is an international exhibition and symposium, which comprises works by established and emerging media artists, presenting artist and expert discussions, each giving his/her own insightful approach to the broad thematic structure, rendering a diversity of interpretations and raising issues imminent and critical to the fluctuating social, cultural and economic circumstances across the world. “Code:Blue” presents representative works of telematic art, virtual reality, net art, robotic art, interactive cinema, nano art, and other new forms facilitated through media technologies with critical reflections on the impact of pervasiveness of technology. A subset of the “Code: Blue” is programmed as “The Shipment From China” in which a body of projects by Chinese media artists using shipping containers as a metaphor as well as transporting vehicles for the creation of their works will participate in the ISEA 2006 / ZeroOne Festival in August 2006. The ISEA 2006 in conjunction with ZeroOne: A Global Festival of Art on the Edge, is hosted by the city of San Jose, in the Silicon Valley in the United States. “Container Culture” is one of the exhibition themes of the ISEA2006 / ZeroOne Festival. Works and Artists Presented in the Theme Exhibition “Code : Blue” Death Before Disco by Herwig Weiser Spatial Sound by Marnix De Nijus Polyptic by George Legrady Word Processor by Ingo Gunther Sustainable by David Birchfield, David Lorig, Kelly Phillips One Thousand Year Dawn by John Gerrard We Interrupt Your Regularly Scheduled Programs by Daniel Sauter & Osman Khan The Well by Art Center Nabi Field – Granular::Synthesis by Kurt Hentschlåger and Ulf Langheinrich Poetry Machine by David Link The Catalogue by Chris Oakley Banlieue du Vide by Thomas Koener Pipeline by Steven Silberg The Tobacco Project by Xu Bing disCONNECTION by Xing Danwen Altitude Zero by Hu Jieming Third Eye by Jin Jiangbo Drift Bottle by Huang Shi Water by Yaobin Academic Exchange Exhibition - Teleboat 798 Parsons School of Design and Tsinghua Academy of Art and Desing (Collaboration)
- Water Bowls UCLA (Victoria Vesna, collaborative)
- Works from other Chinese art educational institutes including China Academy of Fine Art, Central Academy of Fine Art, Peking University)
Guest Exhibition - The Canadian Link “Inside”curateed by Sylvia Parent, guest curator, Groupe Molio DATA by AE Digitale by Alexandre Castonguay habitgram by beewoo Perversely Interactive System by Lynn Hughes and Simon Laroche Tact by Jean Duboi wave_scan by Brad Todd Special Screening Programs - Ars Electronica - 25 Years of Excellency in Electronic Arts
- transmediale - Festival for Art and Digital Culture
“Code:Blue” Symposium Part 1: A) World Art / Regional Culture -Reasoning Global Culture Brian Holmes (Writer, media theorist) Angelica Schimtt (Media theorist) Wang Chunyan (Professor, director of Creative Commons, China Chapter) Soh Yeong Roh (Director, Art Center Nabi) B) The Future of the Present - Art Institutions in the Age of Globalization Fan Di’an (Director, China National Art Museum) Hannah Redler (Media art director, National Science Museum London) Alex Adriaanens (Director, V2_Institute for the Unstable Media) Part 2 The Vision of Blue - Artistic Interventions, Strategies, and Prospects Timothy Druckrey (Curator) John Gerrad (Artist) Ai Weiwei (Artist, architect) Ingo Günther (Artist) Julianne Piece (Curator) Victoria Vesna (Professor, UCLA) Sven Travis (Professor, Parsons School of Design) David Link (Artist) Andreas Broeckmann (Director, transmediale) Thomas Munz (Curator, transmediale) Artistic Directors: Lu Xiaobo, Zhang Ga Curators: Zhang Ga, Timothy Druckrey Curatorial Consultants: Alex Adriaansens - Director, V2_, Rotterdam, Netherlands Andreas Broeckmann - Director, transmediale, Berlin, Germany Thomas Munz - Curator, transmediale, Berlin, Germany Soh Yeong Roh - Director, Art Center NABI, Seoul, S. Korea Gerfried Stocker - Director, Ars Electronica Center, Linz, Austria Peter Weibel - CEO, ZKM, Karlsruhe, Germany Supported by Ministry of Culture, P.R. China Ministry of Science, P.R. China Ministry of Information Technologies, P.R. China Ministry of Education, P.R. China China Art and Literary Association Chinese Artists Association Sponsored by Gehua Cultural Development Group Beijing Municipal Government BANQ Royal Netherlands Embassy Beijing Mondriaan Foundation, Netherlands The German Foreign Ministry Goethe Institut, Beijing Cultural Ireland David Bermant foundation University of California at Los Angles Art Center Nabi SK Telecom Bundeskanleramt (Austria) Kultur Tirol Department of Foreign Affairs and International Trade of Canada, Ministère des relations internationales du Québec, Ministère de la culture et des communications du Québec, Conseil des arts et des lettres du Québec, Conseil des arts de Montréal, Conseil des arts du Canada CIAM (Centre interuniversiatire des arts médiatiques) (More to follow) Media Partnership China News Agency CCTV (Central China TV)– Channel 1 People’s daily China Education Daily GuangMing Daily China Youth Daily Beijing Youth Daily WenHui (Shanghai) Morning Post Art Observer Art and Design China Intellectual Rights Reports China Entrepreneur Tsinghua University TV and News Center Visual China New China Daily Science Daily Science Periodical China Library News China Culture Daily CCTV – Digital Arts China Product Design News Beijing Society of Dancing CCTV Cultural News Channel CCTV Economics Channel CCTV Channel 1 CCTV Channel 10 CCTV Channel 4 Radio China Cultural News Beijing TV CG Magazine Vision Magazine New Tsinghua Magazine Tsinghua TV MUSIC Magazine Beijing Stars Daily Capital Daily Beijing Evening News Tianjing Daily Catalogue Full color catalogue to be published by the Tsinghua University Press, Edited by Lu Xiaobo, Zhang Ga and Timothy Druckery About the venues: The China Millennium Art Museum China Millennium Art Museum is one of the most important institutions for presenting art exhibitions and cultural activities in China. Its holding company is Beijing Gehua Cultural Development Group, which manages and operates three large subsidiaries: Beijing Gehua Culture Center (China Millennium Art Museum), Beijing Gehua Technology Center and Beijing Gehua Broadcasting Center. Under the direct supervision of the Beijing Municipal Government, Gehua Group is the pivotal presentation and research enterprise of the capital’s culture landscape with influences radiating to the whole nation. New Media Art Center of China Millennium Art Museum http://www.gehua.com/ghwhzx/whhz/index.shtml Code:Blue – Confluence of Currents The MILLENNIUM DIALOGUE 2006 3rd Beijing International New Media Arts Exhibition and Symposium will open in the New Media Art Center of the China Millennium Art Museum to mark the inauguration of the spectacular, over 100.000 square meters Gehua Headquarters. The New Media Art Center is a brand new, state of the art facility exclusively designed to meet the growing needs of media art presentation and conference for China and as a platform for international media art exchange. China Millennium Art Museum has been a major venue for important national and international art exhibitions, biennales, large-scale performances and other cultural activities. Since its launch to celebrate the millennium in 2000, it has received millions of visitors. Beijing Cubic Art Center http://www.11-art.com Located inside the hotbed of Beijing’s DASHANZI art district (formerly Factory 798), Beijing Cubic Art Center is committed to finding new ways to implement technology as a means of communication. It provides a space for the dialogue between art and technology. It is an art space for discovering the work of new and avant-garde artists, as well as a research lab for investigating the intersections between art and science. The gallery focuses upon experimental digital electronic media art but is also open to working with artists in other media, conducting seminars, performances and forums in all ranges of discussion. The Center is constantly in search of new forms of expression and experimentation and gladly accepts proposal submissions for new projects. |