I regard myself as a mobilized digital artist working in the field of net-based installation, social interface and film production. I relocated to the cybersphere in 1994 after premiering my first feature film Fresh Kill (35mm, 80:00) at the Berlin film festival. Throughout the 1990s, I created a series of net-based installations, commissioned and permanently collected by the Walker Art Center (Bowling Alley, 1995), NTT[ICC], Tokyo (Buy One Get One, 1997) and the Guggenheim Museum (Brandon, 1998-1999). After much museum exposure, I went underground in Tokyo with a sci-fi porn film, I.K.U., that premiered in the Midnight section of the 2000 Sundance Film Festival.